We look after artists, management, support and crew, with our own cars in London and Manchester and a trusted global network on the rest of the run: hotel to stage door, stage door to airport, and whatever the day sheet turns into by the afternoon.
In partnership with Harrods Aviation · Signature Aviation · SW Global
What usually goes wrong
How we work with touring production
We would rather advance a run of shows with you than take a booking per movement. Send the day sheets, the hotels, the venues and the flights, and we build the car schedule against them: who is in which vehicle, which entrance, and what time the car is on site rather than what time the passenger says they want to leave.
Chauffeurs are briefed on the specific building. Which stage door, where a car can actually sit without blocking the trucks, whether the loading yard will let a vehicle in during load-out, and which entrance at the hotel avoids the front. They wait where production tells them to wait, they move when production says move, and they do not hand a phone to anybody.
Discretion is not a feature, it is the job. Our chauffeurs do not ask for photographs, do not post anything, and do not repeat where they have been or whom they carried. Journeys can be booked under a tour name, a code or nothing at all, and we will sign your non-disclosure agreement before an unannounced date is even discussed.
Our own cars and our own chauffeurs are in London and Manchester, which covers a great deal of the UK touring calendar between them. For the rest of a European or UK run we arrange vehicles through operators we know, and the same coordinator here stays on the phone so you are not managing five suppliers from a dressing room.
What we are asked for
One car, one chauffeur for the duration, hotel to venue and back, with the same face every day.
V-Class for groups, instruments, flight cases and the people who arrive with too much of everything.
Flights tracked, and where the routing is charter, the car at the steps.
Radio, television, shoots and interviews, with a car held at each stop rather than rebooked.
Executives, guests and family moved separately from the artist party.
Aircraft and helicopters arranged when two cities in one day will not work any other way.
Two home cities
Manchester detail is on the Manchester chauffeur service page.
What production gets
The commercial side
Where
In confidence
Cities, dates, how many in the party and how many vehicles you think you need. If the dates are not announced yet, say so and tell us as little as you like. We will come back with how we would cover it.
Prefer to talk? +44 2030 048300 or WhatsApp, at any hour.
Questions people ask
Yes, and for most artist movements that is what we recommend. A car held as directed causes less trouble than three separate bookings that all need chasing. See hourly and as directed.
The ones in London and Manchester, yes, and where a building is new to us we advance it with your production before the day rather than turning up and asking.
Passengers and their luggage, yes, including flight cases and instruments in a V-Class. We are not a freight company and we do not move production equipment.
Yes. Vehicle details and the chauffeur's name are supplied in advance for any movement where somebody is running security, and our chauffeurs work to that team's plan.
You call or message the desk, a person answers, and the change is confirmed back to you in writing so the sheet and the cars agree.
Yes, through our trusted global network of operators we know, arranged and coordinated by us. Our own cars and chauffeurs run in London and Manchester, and we will always tell you which you are getting.
One contact, wherever you are